My work explores the meeting point between pattern and presence, the quiet moment when repetition becomes meditation and geometry begins to breathe. Rooted in South Asian traditions and architectural ornamentation, I reinterpret classical forms through a contemporary lens. I emphasize clean lines, balanced symmetry, and the organic imperfection of the human hand.

Each piece is rendered entirely by hand using archival pens and fine-line tools. The discipline of counting, spacing, and balancing thousands of lines turns repetition into focus, producing a design that records both time and intention.

My practice is both personal and cultural. It is an ongoing dialogue between heritage and reinterpretation. The detailed mandalas remind viewers to slow down and experience attention itself as a creative act.